The Finest Model

I worked on this project as Final-Mixing Engineer and Assistant Sound Designer, collaborating with Lewis Jones and Dee O'Leary. What I like the most about this project are the ambiences: most of the movie is silent, and the sounds we hear are an augmentation of various room-tones and general ambiences, which, thanks to my mix and automations, evolve without letting the viewer noticing. Each scene has its own sonic imprint and all of them contribute to the image's perspective. This movie was also used for another project of mine, S.T.R.E.A.M.. Due to contest regulations and copyrights, I cannot post the videos of my system working on the movie, however, if needed I can provide a private streaming after getting clearance from the director Tatiana Matranga.